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Mythopoeic Fantasy Awards
This is my last day to post about my experience reading the MFA nominees this year before the winners are announced, so I figured I'd better do a write up quickly!
I have to say that this year's finalist lists were a real joy for me. Usually, there's at least one book in the finalists that I detest, or appreciate but slog through. Sometimes there's one that I just don't get. This year, I'm happy to say that, whether or not I feel they're the best choice for the award, I enjoyed all of the books on the finalist lists for both the adult MFA and children's MFA.
Children's List
The awards finally got me to finish Megan Whelan Turner's "The Queen's Thief" series. I'd started The Thief some time ago and hadn't really enjoyed the style; when I got to the end of that book, however, I realized what all the fuss was about, and why it was an award winner. The rest of the series really won me over, and I'm very glad to have read them. Polly Schulman's The Grimm Legacy was a great discovery, and I thought Toads and Diamonds by Heather Tomlinson was a great recasting of a Grimm fairy tale in a non-Western setting.
Adult List
The best discovery on this list for me was, without a doubt, Redemption in Indigo by Karen Lord. Based on a Senagalese folk story, this short novel grabbed me and didn't let go, and I was very pleased to see it make it from the long list to the finalists. I was also tremendously excited that Devon Monk's collection A Cup of Normal made the finalists; Devon's been a great inspiration for me a number of times, from both her blog and her fiction, and I'm tickled to see her recognized. Guy Gavriel Kay's Under Heaven is another excellent contender, and definitely shows how the definition of mythopoeic can expand to include epics outside of a Western comfort zone. There's always a lot of conversation on the jury lists about what it means for a book to be mythopoeic; Kay's novel uses a different cultural language, by being set in China, than the usual candidates, and it's not directly tied to a folktale the way Lord's novel is. And yet, magic and the supernatural are always just on the other side of a boundary from Kay's characters -- sometimes crossing over it directly but other times only hinting at the presence of Other nearby. It worked for me not only on the fantasy fiction level, but also on a mythopoeic level, and I'd highly recommend it (
lyster, this means you, although I'll be surprised if you hadn't discovered it already *g*).
That said, I'd recommend all of the finalists this year, even the ones I didn't directly point out here. I enjoyed all of them, some of them to my own surprise, and some of them just as I expected. (I can't think of the last time I didn't enjoy one of Terry Pratchett's novels, for example, and it's never a surprise to see him on the finalists list. Speaking of Pratchett, Genreville linked to a cool discussion about gender in Discworld this week, which is worth checking out.) So, if you're looking for something good to read, pop by the MythSoc Awards list and you'll have ten good things to put on your to-be-read pile. The winner will be announced at the Mythcon 42 banquet tonight!
I have to say that this year's finalist lists were a real joy for me. Usually, there's at least one book in the finalists that I detest, or appreciate but slog through. Sometimes there's one that I just don't get. This year, I'm happy to say that, whether or not I feel they're the best choice for the award, I enjoyed all of the books on the finalist lists for both the adult MFA and children's MFA.
Children's List
The awards finally got me to finish Megan Whelan Turner's "The Queen's Thief" series. I'd started The Thief some time ago and hadn't really enjoyed the style; when I got to the end of that book, however, I realized what all the fuss was about, and why it was an award winner. The rest of the series really won me over, and I'm very glad to have read them. Polly Schulman's The Grimm Legacy was a great discovery, and I thought Toads and Diamonds by Heather Tomlinson was a great recasting of a Grimm fairy tale in a non-Western setting.
Adult List
The best discovery on this list for me was, without a doubt, Redemption in Indigo by Karen Lord. Based on a Senagalese folk story, this short novel grabbed me and didn't let go, and I was very pleased to see it make it from the long list to the finalists. I was also tremendously excited that Devon Monk's collection A Cup of Normal made the finalists; Devon's been a great inspiration for me a number of times, from both her blog and her fiction, and I'm tickled to see her recognized. Guy Gavriel Kay's Under Heaven is another excellent contender, and definitely shows how the definition of mythopoeic can expand to include epics outside of a Western comfort zone. There's always a lot of conversation on the jury lists about what it means for a book to be mythopoeic; Kay's novel uses a different cultural language, by being set in China, than the usual candidates, and it's not directly tied to a folktale the way Lord's novel is. And yet, magic and the supernatural are always just on the other side of a boundary from Kay's characters -- sometimes crossing over it directly but other times only hinting at the presence of Other nearby. It worked for me not only on the fantasy fiction level, but also on a mythopoeic level, and I'd highly recommend it (
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That said, I'd recommend all of the finalists this year, even the ones I didn't directly point out here. I enjoyed all of them, some of them to my own surprise, and some of them just as I expected. (I can't think of the last time I didn't enjoy one of Terry Pratchett's novels, for example, and it's never a surprise to see him on the finalists list. Speaking of Pratchett, Genreville linked to a cool discussion about gender in Discworld this week, which is worth checking out.) So, if you're looking for something good to read, pop by the MythSoc Awards list and you'll have ten good things to put on your to-be-read pile. The winner will be announced at the Mythcon 42 banquet tonight!
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