alanajoli: (Star Cruisers)
It seems I have been writing everywhere lately except here!

The wonderful folks over at Den of Geek have been keeping me very busy writing about awesome books. This year, I've read United States of Japan by Peter Tieryas, Kiersten White's Buffyverse novel Slayer, and Angus Macallan's Gates of Stone (for which they didn't let me use the phrase "Monsoon season is coming," even though it is branded as a "Game of Thrones" in Indonesia). I've also been following Ninth Step Station and got a sneak peek at Alternis from Serial Box.

I've also been keeping busy working on a new project for Choice of Games. Titled Welcome to Blackstone Academy, this is my first YA project and also the launch of a setting I've been working on for more than ten years. It takes place in the titular Blackstone Academy, a magical boarding school on a causeway connected tidal island just off of the fictional Thimbleport, Connecticut. The small town setting borrows heavily from the part of Connecticut where I live, and the school mashes up pieces from my small college experience with some of the architecture of the gorgeous James Blackstone Memorial Library (which in turn was inspired by the Erechtheion in Athens, Greece).

I've also been doing more game design, most recently writing for the (really exciting) Nighty Knights, as well as editing several of the Tiny d6 adventure books for Gallant Knight Games.

If you haven't been following us over at Outland Entertainment, I'm over there as well, doing Editor in Chief-ly things. We've got some great projects coming up this year, and I'll try to do a better job posting about them!

Stay tuned: 2019 is going to be awesome. (For the most regular updates, follow me on Facebook.)
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ReaderCon logo

I had a fantastic time at ReaderCon this weekend! I've known about it since my days of writing for Rose Fox at Publishers Weekly, as Rose has long been one of the convention organizers, but I had never been before. So when the Ragnarok Team was asked if we'd be sending an editor to the convention, my hand went up. It was a really excellent time, and I was impressed with the attention to details as small as the production quality of my name badge. Check out my photos on Facebook (as I'm still figuring out how to convince DreamWidth to embed them in my post).

I attended two panels. "It's Complicated: Improving Intersectionality and Representation in Speculative Fiction," featured David Bowles, Phenderson Clark, Hilary Monahan, Catt Kingsgrave, Miriam Newman, and Teri Clarke. It was tremendous fun—despite the seriousness of the subject matter, the panelists knew how to have a good time with engaging the audience while still getting their points across. I hadn't been very aware of the term intersectionality. Phenderson Clark described it as having "all these identities wrapped up in one person," which I think is a really wonderful concept that ought to appear in all characters—David Bowles pointed out "The term intersectionality had to be invented... to actually reflect the real world." Teri Clarke really stole the show, and Miriam Newman, an editor, touched on some topics that are professionally important to me.

The second panel "Sidereal Symphonies: Writing Extraterrestrial Art and Performance" was as much fun as you'd imagine, but got surprisingly (or, perhaps not) mythological at times. The panel included John Clute, Catherynne M. Valente, Caroline M. Yoachim, Henry Wessells, and friend-of-the-blog Max Gladstone. Catherynne Valente had the subject very fresh in her imagination and had most of the best quotes of the panel ("These aliens come and blow shit up. Well, what did they sing about that?" And then, "I refuse to believe that any interstellar culture is incapable of producing a pop song.") I loved Caroline M. Yoachim's overall belief that aliens just aren't weird enough, and I delighted in John Clute referencing Mircea Eliade, whose The Sacred and the Profane was required reading for the mythology tours I TAed.

But probably the most fun I had was just chatting with industry people: I met up with editor Becky Slitt from Choice of Games and we talked about what I'd be writing next. And I had a delightful chat with literary agent Alex Adsett, who represent Alan Baxter, who we publish at Ragnarok. My day ended with a great time chatting with Becky, Max, and Max's wife Stephanie in the restaurant discussing the necessity of chocolate, which is a great way to end any day.

All in all, it was really fantastic, and I hope that we at Ragnarok can have a bigger presence there next year!
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I recently happened across a discussion of the old "Appendix N" from Advanced Dungeons and Dragons, published in 1979. The appendix is a list of recommended reading from Gary Gygax, particularly books that inspired the game. I realized that while some of the inclusions on the list are authors I cut my fantasy teeth on (Norton, Tolkien), others I've never read, and still others I wonder about holding up to my current taste for fantasy.

I tried to create a checklist from one of the various list internet sites already populated with books, and many of these titles weren't included--which may say something about their lifespan. Barring a handy checklist, here's the listing.
  • Bellairs, John: THE FACE IN THE FROST
  • Brackett, Leigh
  • Brown, Frederic
  • Burroughs, Edgar Rice: "Pellucidar" series; Mars series; Venus series
  • Carter, Lin: "World's End" series
  • de Camp, L. Sprague: LEST DARKNESS FALL; THE FALLIBLE FIEND; et al
  • de Camp & Pratt: "Harold Shea" series; THE CARNELIAN CUBE
  • Derleth, August
  • Dunsany, Lord
  • Farmer, P. J.: "The World of the Tiers" series; et al
  • Fox, Gardner: "Kothar" series; "Kyrik" series; et al
  • Howard, R. E.: "Conan" series
  • Lanier, Sterling: HIERO'S JOURNEY
  • Leiber, Fritz: "Fafhrd & Gray Mouser" series; et al
  • Lovecraft, H. P.
  • Moorcock, Michael: STORMBRINGER; STEALER OF SOULS; "Hawkmoon" series (esp. the first three books)
  • Norton, Andre
  • Offutt, Andrew J.: editor of SWORDS AGAINST DARKNESS III
  • Pratt, Fletcher: BLUE STAR; et al
  • Saberhagen, Fred: CHANGELING EARTH; et al
  • Tolkien, J. R. R.: THE HOBBIT; "Ring trilogy"
  • Weinbaum, Stanley
  • Wellman, Manley Wade
  • Williamson, Jack
  • Zelazny, Roger: JACK OF SHADOWS; "Amber" series; et al
How many have you read? How many of those would you still recommend? What books would you recommend in their places?

I think one of the series that most heavily impacted my D&D style of play was definitely Tamora Pierce's "Lioness Quartet." Possibly also Patricia C. Wrede's Dealing with Dragons and Robin McKinley's The Blue Sword. I'd include those on any list of recommended fantasy for role playing gamers.
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The second week in January is almost over, and I haven't posted my annual reading report yet! To remedy that, here it is... following the exciting news for 2017. This year, I'll have a short story featured Sisterhood of the Blade, a Dumas-inspired collection of stories about three women who defy gender norms to become the personal musketeers for Queen Anne of France. It successfully funded on Kickstarter in January, and the publishers are looking at an August release, so stay tuned!

On to the reading report! Like last year, I tracked a number of different statistics. I looked at gender and ethnicity of authors, the genre, and the format (digital or print) of all my non-review titles. I only counted picture books that I read if they were for review, so there's a whole slew of picture books not on my list. Many of them went on Fish's "1000 Books before Kindergarten" spreadsheet, though, if I ever need to remember the titles! It's also worth noting that my record-keeping this year was not my best, so there may be some error in the numbers, but I present them here in good faith.

So for 2016, I came in at 173 books total, 6 fewer than last year. Of those, 93 were review titles, which is an increase, so that means I actually read almost 30 fewer books that I chose this year. (But I also invoiced out more for my review work, which is a nice accomplishment.)

  • The digital vs. print divide: I read more in digital at 54.75 books, with only 29.25 in print. Several books I read partially in print and partially on my phone through my library's Overdrive, hence the decimal points.

  • SFF novels hit an all-time low for me at only 36.

  • But that's because Romance bounced very high this year at 39.

  • I didn't track YA or review books in with the kids books this year, which brought those down to 14. I may track YA separately this year, because I think it's a more dominant category than I'd realized.

  • I only read 6 graphic novels, but those included two in the New EU for Star Wars and I enjoyed them very much, as well as two volumes of Amulet, which is excellent and I need to finish it this year.

  • Nonfiction hit 1, a fabulous book of poetry, Milk & Honey, by Rupi Kaur.

  • Suprisingly I only had 4 rereads this year.

  • My TBR goal was far out of reach: I always try for 15, but I only hit 3 (same as last year).

  • I successfully read 1 out of 2 non-genre books from my goal; the success was Whitehall, a Serial Box serial that is historical fiction.

  • Actually, I had three Serial Box full seasons on my list this year; although each episode is novelette length, I've only counted the season when it's complete.

  • I worked with Daniel José Older on the autobio project and read his Shadowshaper, which I highly recommend, fulfilling my goal to read 1 book by an autobio author.

I tried something new this year and tracked how many unique authors I read, because I went on binges reading a bunch of books by Kate Noble (also an autobio author, but I had read her before) and Vicki Lewis Thompson. I thought that since I had several authors appearing multiple times on the list, that meant I was accurately tracking the number of books I read by authors of various genders and ethnicities, but it meant that if I looked at all the authors I read this year, I wouldn't see what percentage of my authors were female or people of color. But that got complicated as well, because I read a couple of anthologies where I had a huge number of unique authors, even though they were only contributors. For example, Valor, a graphic novel anthology, had 24 unique authors and artists for my list, but it's only a single book.

So over the course of the year, from as best as I could identify:

  • I read works by 82 unique authors.

  • Of the books I read, 105 white authors were represented, with only 18 authors of color.

  • Of the books I read, 99 female authors were represented versus 26 male.

I'm thinking this year I may only track the author stats for each unique occurence, but I'm not sure whether that accomplishes what I want. I think ultimately what I'd like to see is that my book list features more diversity (105 vs. 18 is not very diverse, nor is 99 vs. 26; at least my genre breakdown was closer this year!). So perhaps tracking unique authors isn't as valuable as I thought.

Some of my favorite books this year, that I haven't already mentioned above, included:

  • Bookburners,by Max Gladstone, Margaret  Dunlap, Mur Lafferty, Brian Francis Slattery, Andrea Phillips, and Amal El-Mohtar; season 1 is coming out in print later this month!

  • Magic Binds and One Fell Sweep, both by llona Andrews.

  • Devon Monk's Hell Bent and Stone Cold, which are spun off of her Allie Beckstrom series. That world never stopped being awesome.

  • Boxers & Saints by Gene Luen Yang (also an autobio author I've read before); this was a reread, but I loved how powerful this set is just as much this time as when I first read them.

  • Ursula Vernon's Hamster Princess 1: Harriet the Invincible, which I read aloud with Bug. I think when you find an author the whole family loves, you know you've found someone special.

  • Frogs and Kisses, a return to Shanna Swendson's Enchanted Inc. series. It was such fun to return to those characters!

What are the best books you read in 2016? What are your reading goals for 2017?
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I went to see Moana this past weekend and, unsurprisingly, really enjoyed it. An action-adventure mythology tale with a prominent Trickster figure and a female lead is pretty much a perfect fit for a story I'm guaranteed to enjoy. This is not to say I'm not a Disney critical thinker; I have certainly applied the word "Disnification" to folk and fairy tales to imply the tale is reduced from an earlier form. That gets even more complicated beyond the Western fairy tale cannon (see footnote about indigenous commentary—worth checking out!). So I've always been a fan of expanding knowledge of a Disney animated feature's background stories, whether that's with the slew of international Cinderella tales, rereading Anderson's The Little Mermaid or The Snow Queen, or, in the case of Moana, doing some research into previously published Maui stories, especially the ones accessible to the same audience who will be attracted to the film.

So here's the beginning of my research into Maui stories. I am likely to post this on my website for others to reference and so it's easier to update, and I'll put a link in this post when I do. My links are to B&N or the publisher's site if the book is currently available new, and Alibris if it's only available used. I've put in cover images where I could find them. If you know of additional Maui books available for younger readers, I'd be delighted to list them here, especially if they come recommended! I've not yet read any of these, so it's a resource list, not a recommendation (though I hope many of them are good!).

Also worth mentioning is Maui the Demigod by Steven Goldsberry, Poseidon, 1984. It's an adult novel that retells several Maui tales. I've also had recommended for this list the children's novel Call It Courage by Armstrong Sperry, which won a Newberry in 1941, and I list it here with the caveat that several Goodreads reviews mention that it is very much of its era and gives a very European-centric impression of Polynesia.

Update 12/8/16: There's an excellent essay on Maui (and criticism of the film) in Huffington Post article "Goddess Hina: The Missing Heroine from Disney's Moana" by Tevita O. Ka'ili.

[Updated 12/13/16: For those looking for indigenous criticism of the film, there are some interesting discussions here, here, here, here, here, here, and another roundup here, as well as a pretty comprehensive article in Smithsonian.]
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This isn't my normal topic or style for this blog; it's a piece I wrote for another blog, geared toward college students, that the editors couldn't use. In light of a conversation I had with a friend today about her concerns on interacting with certain relatives at Thanksgiving, I thought I'd share the piece in hopes it would be useful. Definitely read the Nadra Kareem Nittle article I link to in full--she has several really useful articles, including another that might be useful for awkward Thanksgiving conversations: "Top 5 Reasons Not to Call Someone Racist."


We’ve all been there. Someone in class or in the dining hall or at work says something that’s racist or makes a racist joke. It’s possible that they’re just using a word they didn’t know was offensive. It’s also possible that they’re cracking racist jokes because they have deep seeded prejudices that no one’s ever called them on. It’s often hard to know what to say in the face of blatant racism, and I know that as much as I try to be a good ally, I falter sometimes, unsure how to respond to a casual phrase that I know is offensive. Here are some tips on how to respond to racist jokes.

If they’re well-meaning, consider correcting them

I remember being corrected for using the word “token” in a conversation—I had thought it meant the single representative, like “Smurfette is the token female Smurf.” But the truth is, it implies that the person has no other value than the reason they’re a “token” member—kind of like Smurfette. I should have been able to figure that out on my own, but until it was pointed out to me, I just didn’t get it.

Some of your peers may respond well to being corrected. They may, like me, be horrified to learn that a phrase has a meaning they didn’t intend and be ready to strike it from their vocabularies. Or they might not, but in a situation where you don’t need to interact with a person regularly, it might still be worth pointing out that the comment they made was racist. In the NPR article “How Should You Respond to a Racist Comment?” posted July 23, 2006, ethicist Randy Cohen advised, “I don't think you have an obligation to reform the world, but it's an awfully good thing if you have it in you to not let such things pass, if you can stand up for it.”

Don’t laugh

If someone is making a racist joke—especially someone who is in a position of power over you, like a boss or a professor—one response it simply not to laugh. Nadra Kareem Nittle of, in “The Top 5 Ways to Respond to a Racist Joke,” recommended that you pair not laughing at racist jokes with laughing heartily at jokes that aren’t. That’s a kind of feedback to show that you’re not a stick in the mud, you’re just not willing to find racism funny.

Nittle’s other tips include:

  • Walk away. If you hear the racist joke being set up, get out of there before it’s told.

  • Ask the joke teller why the joke is funny. If you “don’t get it,” they may feel obligated to explain why it’s funny… and realize that it’s not all that funny on their own. Or you can be more direct and question the assumptions required for the joke to be funny, which are typically negative sterotypes.

  • Tell a joke about people with their background in response, explaining that you don’t find it funny either, because you know the joke teller, and know those stereotypes aren’t true. It might shock them into empathy.

  • Confront them directly and ask that such jokes not be told around you.

It’s probably not useful to call someone racist, however. It puts them immediately on the defensive, and may make them unwilling to listen.

How to respond if a friend calls you out

And what if you’re the person who unwittingly made a racist joke? The first step is to stop and listen to the friend or peer who is calling you out. Stop. Listen. Don’t get immediately defensive, because if you really didn’t mean to say something racist, your best bet is to take that feedback and apply it, not protest. And remember, it’s not the job of others to correct you; it’s your job to try not to be offensive in the first place. Try to appreciate the risk they take in explaining.

We all say stupid things. It’s hard to tell when a comment or a joke will go the wrong way—not just with racism but with all sorts of assumptions about gender, sexuality, abledness, education, and culture. Many jokes rely on the ability to lump a group into “other.” So tread lightly when you’re telling jokes, and listen when others explain how some words have more baggage than you realized. I know that I slip up, despite my best efforts, but the least I can do is keep listening and improving as best I can.
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It's been a long time since I've posted, but I have a lot of news to make up for it!

First: Today is the release of my newest interactive novel game for Choice of Games: Choice of the Pirate. Right now it's priced at $2.99, which is a 25% discount on the full price of the game. It's probably the most ambitious game I've written yet; set in the fictional Lucayan Sea, it borrows all the old pirate tropes from cursed treasure to ghost ships and adds a little extra magic to the mix. I'm very pleased with how it turned out, and I hope that many people enjoy the adventures!
You can read all about the game here at the Choice of Games blog.

Second: I'll be at the James Blackstone Memorial Library's local author expo tomorrow (5/21) afternoon. If you're in the area and would like to stop by and chat about my novels or games (or just shoot the breeze), please come on down! There are about thirty local authors attending, including reporters and children's book authors, so it should be an interesting mix. I'm not on any of the panels, but I may see about leaving my table for a bit to hear them.

For more information, you can visit the event website.

Thirdly: In honor of the game releasing and the author expo, I've finally uploaded the Redemption Trilogy to the major booksellers! You can nnow find them at Barnes & Noble, Amazon, and Kobo.
They're also still available at DriveThruFiction, Smashwords, and iTunes as well.

Lastly: I've accepted a position as Editor in Chief of Outland Entertainment, where I'll be editing a number of very cool comics! You can find out more about us at our latest newsletter or by checking out the comics lineup!
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There's big news here at Myth, the Universe, and Everything, the biggest of which is the release date for Regaining Home: January 26, 2016. You can see the page at Smashwords or check out the book trailer (designed by artist Lindsay Archer with music from Common Shiner).

But more on that as it happens. In the meantime, I have a reading report for you! I tracked a bunch of different factors this year just to see how diverse a group of authors I really read.

Including my review books (many of which are picture book length), but not including picture books I read with my kids, my total tally for last year was 179 books. Of those, 77 were review titles, 116 (the vast majority, including most of my review books) were for kids or YA.

  • SFF titles came in at 91

  • Romance came in at only 3 last year

  • Graphic novels hit 25

  • Nonfiction came in at 3 (greater than my goal of 1)

  • Rereads hit 13

  • Only 3 of my TBR books came out of the pile

  • I achieved 0 out of a goal of 2 non-SFF/romance/YA/kids novels

  • And while I picked up a title from an autobio author I hadn't read before (always one of my goals), the author I solicited didn't end up participating in the project, so I'm not entirely sure how to count that one.

My digital and print totals were closer this year: 80.5 for digital and 97.5 for print. (I read one book half on my phone and half in print.)

I didn't track author demographics for any of the review titles, and I only tracked demographics when I was pretty sure I could identify gender and ethnicity. My male/female split was pretty close: 53 male authored titles to 56 female authored titles. I did an Ilona Andrews reread during the year, so a number of books counted in both categories (as Ilona Andrews is actually a husband/wife team). Ethnicity was harder to determine, but for what I could figure out, I read 10 books by authors of color vs. 67 by white authors. Some of those also counted twice when there was an author/artist team for the graphic novels I read.

Now that I'm a little more aware of my reading habits, I'll be interested in seeing if I can intentionally better diversify the list this year--not just with authors, but also hitting those out-of-genre goals.

I hope everyone had a great reading year in 2015!
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A few great projects happening right now:

  • Margaret McNellis (@mcnelliswrites) has launched a Kickstarter for her nautical, haunted historical novel, Out of the Sea. I'm super excited for her, and the project sounds fantastic.

  • Erik Scott de Bie (@erikscottdebie), who I met back at GenCon '06, is involved in another cool Kickstarter: an anthology of short fantasy titled Women in Practical Armor. What's not to like?

  • Margaret Dunlap (@spyscribe) and Max Gladstone (@maxgladstone) are working together on the serial-fiction-in-the-style-of-a-television-series innovative project Bookburners. Max's first episode is available to read for free, so go get it!

alanajoli: (mini me short hair)
Bank Square Books in Mystic, Connecticut had a fantastic signing yesterday! This was the latest stop on the Big Summer Road Trip Tour with four of Tor's authors: Max Gladstone, Elizabeth Bear, Brian Staveley, and James Cambias.

It's always a delight to spend time with fellow Substrater Max Gladstone, and it was really fun to chat with Elizabeth Bear about some of the details of her "Eternal Sky" trilogy. Both Brian Staveley and James Cambias made me intrigued by their work. We all lamented how mass market paperbacks are becoming fewer and farther between (because otherwise I'd have picked up some backlist titles!). We got some excellent selections from the children's department at Bank Square Books (where we also found Waldo), and I'll be looking into sadly unsignable e-book copies of the Tor tour writers' backlist books.

A lovely time was had by all -- thanks to the four authors, a shout out to Tracey Maknis/Trinitytwo from The Qwillery, and cheers to Bank Square Books for having such a great event!
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Happy New Year! It's been some time since I posted; it was a busy year at Casa Abbott for non-writing reasons. We've welcomed baby Fish into our family, joining his sister Bug, Three-stripe, cats Jack and Tollers, and I as members of our household. But while I'm behind on many things, I've continued to read a lot! Since I posted last year and the year before about my reading goals, I wanted to post last year's results and this year's goals before 2015 progressed too far!

This year, I did not count all the picture books I read, but I did count all my review picture books individually. For the year, I totalled 163 books, which is up from last year's 129 (probably in part due to counting all the review books individually). There was a method to my madness, however: I wanted to see what percentage of titles were review books as compared to non-review books. Here's some of the interesting breakdown:

  • 89 titles were review books

  • 106 were children's or YA books

  • Only 12 were graphic novels, which is rather low

  • I read 7 romance, 69 SFF, and 2 nonfiction

I did reasonably well on my goals. The 2 nonfiction titles beat my goal to read just 1. I read 13 out of the 15 novels from my TBR pile I'd hoped to read, 4 titles by autobio writers, 6 rereads (out of a goal of 3), and read one non-genre novel.

The most interesting statistic I kept last year was print vs. digital. I surprised myself by reading 91 books in paper and 72 digitally. I thought I skewed toward e-books, so it's interesting to me that I'm not even at 50% digital reading. Some of this is due to reading for the MFAs. I rely heavily on the library to provide me with MFA reading, and though some are available as e-books, most are more readily available in print.

Highlights of the year?
  • Rereading Max Gladstone's Three Parts Dead--and seeing it make the MFA finalists list--was great fun. It's been especially fun to read more of the Craft books, both post-publishing and in mss format, in combination with playing Max's Craftverse game Choice of the Deathless. Without the books being required for the game and vice versa, they work so well in conjunction!

  • Finishing Devon Monk's "Allie Beckstrom" series was bittersweet, but starting the "House Immortal" books makes me confident there's more excellent reading to come.

  • I had the fantastic opportunity to interview Gene Luen Yang for the autobio project, and I read The Shadow Hero and Boxers and Saints in preparation for that. They were both some of my favorite reading for the year, for very different reasons. I'd recommend The Shadow Hero to anyone, but especially readers who have a fondness for Golden Age superheroes. Boxers and Saints is a fabulous moral and ethical investigation of a historical period with a lot of magical realism thrown in, and I found it both enjoyable and tremendously moving.

  • The biggest surprise read was probably Eleven by Tom Rogers. It's a book about 9/11, mostly from the perspective of a boy who's just turned 11, and it's fantastic both as an exploration of the event through fiction for middle graders and as a coming of age story. It was also pretty wild to realize that 9/11 happened before the middle grade age group was born--so it qualifies, on some level, as historical fiction.

  • I'd also recommend without reservation the Super Lexi middle grade books by Emma Lesko. Lexi is neurologically and developmentally different from her peers, which makes her a fascinating POV character, and Lesko's commitment to neuro-diversity in children's books shows in how beautifully she captures Lexi and makes her so easy to empathize with.

  • I loved finally finishing Shanna Swendson's "Enchanted, Inc." series, which for ages looked like it wouldn't get to continue beyond book four. (I'd still read more books in that world!)

  • I'm also really eager to see where the "Kate Daniels" (Ilona Andrews) and "Safehold" (David Weber) books end up next!

There were, of course, a lot of other great books, but listing them all would be fodder for TLDR (if I haven't already hit that point).

I was pretty happy with this year's goals, so I'm planning to keep them the same. Here's to another year of good reading!
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The Mythopoeic Fantasy Awards were announced last weekend at Mythcon 45, at which I had a fantastic time. (I made my first food sculpture, below, at the Mythcon Banquet, an annual tradition that I find wonderful. I love that the con in Mythcon could equally represent conference and convention; both words accurately describe the atmosphere, which is a mix of scholarly and fannish all at once.)

Shadowchild from Guest of Honor Ursula Vernon's Digger

I've served on the Mythopoeic Fantasy Awards (both adults and children's lists for fiction, but not the scholarly juries) for several years now, and this was the first time I was able to attend the awards ceremony, which I was allowed to livetweet. (I'm @alanajoli.) This year's awards went to:

  • Mythopoeic Fantasy Award in Adult Literature: Helene Wecker, The Golem and the Jinni

  • Mythopoeic Fantasy Fantasy Award in Children's Literature: Holly Black, Doll Bones

  • Mythopoeic Scholarship Award in Inklings Studies: Jason Fisher, ed., Tolkien and the Study of His Sources: Critical Essays

  • Mythopoeic Scholarship Award in Myth & Fantasy Studies: G. Ronald Murphy, Tree of Salvation: Yggdrasil and the Cross in the North

The full announcement with book jackets and links to purchase is available on the Mythopoeic Society website.

This was my first year voting on the Hugo Awards, which was a very different experience. The MFAs are very much a juried award; the mailing list discusses the merits and flaws in the longlist and finalists throughout the process, and anyone participating in the jury is expected to read each as many on the longlist as they can and each of the finalists at least once. The Hugos, on the other hand, don't have any of that conversation, in part because there are so many voters that such an official mailing list might be ridiculous. There's also no real expectation that voters read anything other than what they want to, and they're free to vote for only their favorites if they like. Given my MFA training, I didn't feel comfortable voting in the novel category (where I'd not read, in full, any of the nominated works), but I did read all the short stories and novelettes and read selections of the writings by all the Campbell nominees. So I was eager to see the results this evening, which--as of this post--I've not been able to find listed anywhere. With the thought of saving others from going through the chat transcript of the live awards coverage (which does have some excellent commentary), I thought I'd list the winners here.

  • Campbell Award: Sofia Samatar

  • Best Fan Artist: Sarah Webb

  • Best Fan Writer: Kameron Hurley

  • Best Fancast: SF Signal Podcast

  • Best Fanzine: A Dribble of Ink

  • Best Semiprozine: Lightspeed

  • Best Professional Artist: Julie Dillon

  • Best Editor, Long Form: Ginjer Buchanan

  • Best Editor, Short Form: Ellen Datlow

  • Best Dramatic Presentation, Short Form: Game of Thrones, “The Rains of Castamere”

  • Best Dramatic Presentation, Long Form: Gravity

  • Best Graphic Story: “Time,” Randall Munroe (XKCD)

  • Best Related Work: “We Have Always Fought: Challenging the Women, Cattle and Slaves Narrative,” Kameron Hurley

  • Best Short Story: “The Water That Falls on You from Nowhere” by John Chu

  • Best Novelette: “The Lady Astronaut of Mars” by Mary Robinette Kowal

  • Best Novella: “Equoid” by Charles Stross

  • Best Novel: Ancillary Justice by Ann Leckie

I'm surprised (and occasionally disappointed) by some of these wins, but some of them please me tremendously. I'm especially pleased to see my taste reflected in the Best Short Story and Best Novelette categories; Kowal's novelette had me sobbing as I read it, and Chu's short story, the first of his that I've read, has turned me into a fan seeking out more of his work. I think it's great to see Kameron Hurley win not one but two Hugos; I loved her essay when it first came out, and I've been meaning to seek out her fiction as well. Now seems the time!

I also think the gender balance here is really interesting; for an award that has a reputation for having so many men as nominees and winners, this list has an awful lot of women on it! I didn't even realize the break-down until I was typing it up. I don't have any commentary on that other than just the observation.

Congratulations to all the Hugo, Campbell, and Mythopoeic Winners!
alanajoli: (mini me short hair)
As I just posted over at the Substrate blog, congrats to Max on his Campbell nomination! As I mentioned in my last post, there's been some complaint about a lack of diversity among the Hugo nominees, but there's nowhere that that's less true than the Campbell slate. Here's the list:

  • Wesley Chu

  • Max Gladstone

  • Ramez Naam

  • Sofia Samatar

  • Benjanun Sriduangkaew

I'm actually reading (and enjoying) Samatar's Stranger in Olondria in my current pile (which is divided among review books, jury books, and picture books...), and Chu's Lives of Tao/Deaths of Tao look right up my alley. Naam is a computer scientist and futurist as well as an SF writer, and though I'm not usually a thriller reader, I'm definitely intrigued by his profile. Sriduangkaew got nominated on the strength of her short fiction; according to other blogs that I've read, that happens very rarely. Regardless of who wins, the future of SF is bright!


Speaking of the future being bright, in July, my so-far favorite of Max's Craft-verse books, Full Fathom Five, comes out! Better yet, you can read the first five chapters at right now!
alanajoli: (mini me short hair)
So, the 2014 Hugo finalists came out. And the usual furor ensued about which authors are pushing which agendas--which is always an interesting conversation. Over at, Liz Bourke posted "Sleeps with Monsters: How about Those Hugos?," and I found the comments section to be an interesting cross-section of SFF fans. I found one of Liz's responses to a reader, who claimed one author promoted no agenda in his work, telling. She wrote: "You don't see the message, perhaps, because you agree with it. That doesn't mean it doesn't exist, nor that it doesn't alienate as many readers as it entertains."

Best novel nominee Ancillary Justice, by Ann Leckie, which has been recommended to me a ridiculous number of times, and which I'm looking forward to reading.

There are a lot of accusations about how nominees for the Hugos are selected because they promote certain PC agendas. These usually come from readers who enjoy traditional SFF elements, in novels which are frequently led by a white-cis-male protagonist. Disclosure: I like a lot of traditional SFF stuff myself, and I'm a fan of shared-world fantasy, which tends to revisit a lot of the old tropes over and over again. (Sometimes in new and interesting ways, but that's a conversation for another post.)

I also like books with female protagonists. I like books that show different cultures and different worldviews, and I like books in which the diversity of opinions and worldviews and ethnicities reflects the same sort of complex world we live in, rather than assuming one unified cultural identity. I have sometimes surprised myself by liking books that stray outside my normal relationship comfort zones. (Triptych by J. M. Frey was one of the novels that most impressed me in 2011. If it hadn't been recommended to me, I might not have read it, as I'd have thought it wasn't my sort of thing--and I'd really have missed out.)

I think that what people who talk about "diversity checklists" may not realize is that people don't nominate those books because they promote a certain agenda (though that might be part of it). People nominate those books because they like them. They enjoy reading that type of story. Those books provide the same level of entertainment and emotional arc for readers who like that sort of thing as traditional novels do for readers who like that sort of thing. And for people who are bored of the white-cis-male-led stories, there are still plenty of people who enjoy those books, and there's not anything wrong with that (so long as those books aren't the only thing being published).

People like what they like. As long as the world continues to be a diverse place, we're probably going to keep disagreeing about what we like and what's good. And as long as we can disagree respectfully, I think that's okay.
alanajoli: (mini me short hair)
Today on, I discovered one of the coolest Powwow dancers I think I've ever seen: Laura John, a St’át’imc dancer from British Columbia. I've never seen a Grizzly Bear dancer before, and she does an excellent job of really evoking the movement of the animal. (We talk about mimicking the movement of animals in kempo, but this is on a whole different level!)

I don't have much to add other than that you should read about her here, and definitely check out the linked videos to see how she dances. It's kind of amazing to watch her!
alanajoli: (mini me short hair)

Only 11 days until Hugo Nominations are due, and I'm still sorting through my list of titles, deciding what I'm going to nominate, figuring out what authors I read compulsively had titles out in 2013, etc., etc. I'm used to nominating for the Mythopoeic Fantasy Awards, which require a single-book nomination to stand alone, so entries in the "Kate Daniels" series or the "Kitty the Werewolf" series aren't eligible. Not so with the Hugos! The stand-alone quality is not a judge of merit. (Notably, I'm behind on the Kitty books, which is why I haven't listed one below. I've no doubt that the two published in 2013 are awesome and worthy of consideration!)

Taking into account what a "typical WorldCon voter" is expected to be like (see Jim Hines on Larry Correia on Alex Dally MacFarlane; my comment is, of course, tongue in cheek), here are some of the pieces and people currently on my whittling-down list:

Campbell eligible:
Max Gladstone
Shawna Mlawski
Mark H. Williams
Brian McClellan

Short stories:
"Drona's Death" Max Gladstone, xoxo Orpheus
"The Best We Can" Carrie Vaughn,
"Stranger vs. the Malevolent Malignancy" Jim Hines, Unidentified Funny Objects 2
“The Life Expectancy of Cockroaches” by Michelle Muenzler, Crossed Genres
"Galatea Odysseus" Madeline Miller, xoxo Orpheus
"The Squid Who Fell in Love with the Sun," Ben Loory, xoxo Orpheus

Two Serpents Rise by Max Gladstone
Sleepless Knights by Mark H. Williams
Pen Pal by Francesca Forrest
Codex Born by Jim Hines
Promise of Blood by Brian McClellan
Cold Copper by Devon Monk
Magic Rises by Ilona Andrews
Hammer of Witches by Shawna Mlawski

Graphic novels:
RASL by Jeff Smith
Saga vol 2 by Brian K. Vaughn and Fiona Staples
Hawkeye vol 1 by Matt Fraction and David Aja

Moshe Feder
Marco Palmieri
Stacy Whitman
Erika Tsang

Dramatic Long Form:
Choice of the Deathless by Max Gladstone -- notably, this is an interactive novel game app, which may mean this isn't technically the category for it, but there's some buzz this year about nominating games for this category, and I'm all for that.

I'm still poking around the Internet to make sure I haven't miscategorized 2013 titles in my head as belonging to other years. What books and stories are appearing in your nominations lists (if you're voting), or which would you pick (if you're not)?
alanajoli: (mini me short hair)
Happy International Women's Day!


Back in 2006, Lindsay Archer and I sat (and sang, and entertained passers by) together at GenCon, selling copies of Into the Reach and other Chronicles of Ramlar RPG books. Now, with the final book of the Redemption Trilogy on the horizon, we've almost come to the end of the journey that started there.

To celebrate International Women's Day, DriveThruRPG is featuring games and novels by female game designers, writers, and artists. There's a lot of great stuff there, including quite a lot of Firefly RPG content from Margaret Weis Productions. Into the Reach and Departure, by virtue of being written by me and illustrated by Lindsay, are also included in the feature. I think this is a fantastic way to point out just how many women are creating works in the role playing game industry (thanks in part to leaders like Margaret Weis, who have been there since nigh on the beginning). It's nice to be a part of this community!
alanajoli: (mini me short hair)

I've sent in my final nominations for the Mythopoeic Fantasy Awards jury that I've been serving on for the last few years, and I just got the e-mail that Hugo Award Nominations are open. Exciting stuff! I'm not shy about sharing books I love here, but I'm not always up on what's eligible and what's not. Here are a few highlights of folks and books I think deserve to be recognized (with the note that I have not fully researched their eligibility):

  • Fellow Substrater Max Gladstone is in his second (and last) year of eligibility for the Campbell award. His novel Two Serpents Rise is eligible for Best Novel. There is no question in my mind that he's getting nominations for both from me. Go Max!

  • I'm not sure if Shana Mlawski is eligible for the Campbell, since her first novel is a YA, but if she is, she's also on my list. I'm a little surprised there's no YA/children's category for the Hugos, but I guess that's what the Nortons are for. Shame I'm not an SFWA member (one day!) and thus can't weigh in on those.

  • Mark H. Williams's Sleepless Knights is both brilliant and, I believe, eligible. I'm pretty sure he could be nominated for the Campbell also; it's his debut novel, but he is also a playwright and television writer, and I don't know how that plays out with the Campbell award.

I have to go back through my list and figure out which books I read last year were actually published in 2013 so I can determine what's eligible. I read so much stuff for review before it comes out (and catch up with so many books in the couple of years after they're published) that I always have to go back and look.

Who are your nomination choices this year? Who should I be paying attention to who's eligible for stuff? (And please, don't be shy about recommending your own books!)
alanajoli: (mini me short hair)
For awhile, I was burned out on vampires. I'm still not 100% back in the fold; as I told editor Rose Fox back when I was reviewing for PW, I'm running out of things to appreciate about vampire novels in paranormal romance and urban fantasy. (Which is not to say that the appearance of a vampire is enough to irk me; I don't mind vampires, but I've stopped picking up vampire novels, if that makes sense.)

Vampires are problematic. Even at their most civilized, they're either predators or parasites on humanity, and a good vampire novel should give me some cool insight into that, or insight into what it means to be a predator or parasite (if told from the vampire's point of view). That's what I'm looking for, anyway. I know the whole smexy vamp scene works for some, but there's nothing inherently cool about fangs or blood that draws me.

Unless the story is going back to vampires older than Stoker's popular Dracula icon. What prompted this post today is that I was reading a kids' folklore book about vampires for SLJ and I remembered a YA vampire novel I'd really loved--because it was based on older-than-Vlad-III Eastern European folklore. But I couldn't, for the life of me, remember the title, and since I read it before I started my book log spreadsheet, I didn't have a record to check. After some searching, I found this excellent review by Christina Chavez over at CSUF YA Book Reviews of Marcus Sedgwick's My Swordhand Is Singing. This, my friends, is the book whose title I keep forgetting, and it is an excellent and scary modern novel based on some of the spookiest vampires I've read. These walking corpses are out to kill the family members they left behind. Tricks like crossing water to prevent being chased, or throwing millet seeds because vampires can't help but stop and pick them up, feel fresh, not because they're new ideas, but because they're not as frequently used as so many other elements in vampire lore. The story is ultimately about the relationship between teen hero Peter and his father, rather than about the relationship between Peter and vampires, and I think that's part of the strength behind this book in a genre that so often identifies with the monsters instead of fighting them.

A friend posted on facebook recently about how much horror (mostly talking about film) has changed since the pre-90s creature features fell out of style. I noted that because a lot of horror and urban fantasy novels use the point of view of the monsters, the stories tend to focus on different themes:

  • identity politics (esp. for vamps and weres--what does it mean to have a secret identity as something despised by humanity?)

  • coming to terms with the drudgery of modern life (because how many of us have had jobs where we're "office zombies"?)

  • embracing/taming the violent sides of ourselves (mostly weres)

  • humans can be more monstrous to each other than any horror monsters

I love exploring those themes (and I'm sure there are others), but sometimes it's nice to sit back and watch humans be the heroes, and legitimately scary monsters be the villains. Sedgwick's My Swordhand Is Singing is satisfying for that reason, for its really excellent use of folkloric elements, and for creating a sense of historical period that feels concrete. I highly recommend it--and I hope I won't forget the title again!
alanajoli: (mini me short hair)
Some days are like this:


Some days are more like this:

Today was the second kind of day.

(Credit to Leaky News for that animated gif. Just what I was looking for!)


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Alana Joli Abbott

March 2019

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