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One Sentence a Day
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amieroserotruck passed on some excellent advice the other day: no matter what, write one sentence a day. She apparently picked this up from Stephen King, but I'm still crediting her brilliance in keeping up with it and passing it along. Because of this new rule, I'm happy to say that I have *actually started* that elusive YA novel that I've been talking about for months and months. Hurrah!
In the mean time, I still have other projects that I'm working on--which is a good thing, because I just realized that I only have three outstanding invoices. While John Scalzi* says not to count your chickens before they're hatched (or to count your invoices before the checks get there), I do my darndest now to only work for companies (or other freelancers) that will, reliably, fulfill my invoices. Having only three outstanding means, well, that I'd better get back to work!
*If you are a writer who makes a living via writing--or are a writer who would like to--this essay is really excellent. My only quibble is that there's a difference to me between making a living writing and making a living writing what I want to write. I picked up Well Fed Writer: Financial Self-Sufficiency as a Freelance Writer in Six Months or Less from the library when it was recommended to me and discovered something about myself: I would rather make a living doing something *not* writing--like working at the library (which I enjoy) or going back into bookselling--than making a living writing memos and promotional materials for companies. I don't think that people who do are sell outs or anything like that--but like some of my freelance-artists friends can't imagine going back to a 9 to 5 job, I've found that I'd much rather have that steady job if it means I get to write what I want to write. I'm in a balanced place right now: writing half time, working a reliable job half time, and it seems to be working out okay for me (though I'm not making nearly the figures of Mr. Scalzi). I suspect work environment is all a matter of preference. And now I've completely blathered on when I meant to stop a whole paragraph ago--I've got work to churn out so I can submit invoices! :)
amieroserotruck passed on some excellent advice the other day: no matter what, write one sentence a day. She apparently picked this up from Stephen King, but I'm still crediting her brilliance in keeping up with it and passing it along. Because of this new rule, I'm happy to say that I have *actually started* that elusive YA novel that I've been talking about for months and months. Hurrah!In the mean time, I still have other projects that I'm working on--which is a good thing, because I just realized that I only have three outstanding invoices. While John Scalzi* says not to count your chickens before they're hatched (or to count your invoices before the checks get there), I do my darndest now to only work for companies (or other freelancers) that will, reliably, fulfill my invoices. Having only three outstanding means, well, that I'd better get back to work!
*If you are a writer who makes a living via writing--or are a writer who would like to--this essay is really excellent. My only quibble is that there's a difference to me between making a living writing and making a living writing what I want to write. I picked up Well Fed Writer: Financial Self-Sufficiency as a Freelance Writer in Six Months or Less from the library when it was recommended to me and discovered something about myself: I would rather make a living doing something *not* writing--like working at the library (which I enjoy) or going back into bookselling--than making a living writing memos and promotional materials for companies. I don't think that people who do are sell outs or anything like that--but like some of my freelance-artists friends can't imagine going back to a 9 to 5 job, I've found that I'd much rather have that steady job if it means I get to write what I want to write. I'm in a balanced place right now: writing half time, working a reliable job half time, and it seems to be working out okay for me (though I'm not making nearly the figures of Mr. Scalzi). I suspect work environment is all a matter of preference. And now I've completely blathered on when I meant to stop a whole paragraph ago--I've got work to churn out so I can submit invoices! :)
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Then the problem becomes spending the time and money to get the PhD (if you want the full time job) and then getting the job with the 200 other applicants. If you get an MFA, you have to deal with the people who say it isn't a real terminal degree (insert joke about it almost killing me), or those who expect extensive publication along with an MFA to get a tenure-track position. To which I always joke, "If I had the kind of publication credentials you are looking for, I wouldn't be applying for this job." Of course, not many college writing teachers find that amusing. ;-)