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According to Random.org, last week's winner (with a twitter feed from HeldenSiegfried) is [livejournal.com profile] holmes_iv. Congratulations! Let me know the best way to get you the book. :)

I have to say, I really enjoyed the Trickster love that showed up -- from Coyote to Anansi to Sun Wukong ([livejournal.com profile] lyster, is he the Monkey King?). I also liked the idea of Q, who is arguably a Trickster figure (and certainly as verbose as [livejournal.com profile] kattw suggests). There really is just something about Tricksters, whether they're gods or culture heroes or just the lovable rogue archetype (aka Han Solo) that makes life fun.

And sometimes also terrifying. But that's their job.

--

In other news, I met what I think was my one major resolution this year: I finished "The Dark Is Rising" sequence by Susan Cooper. The last two books were read-aloud family books, so that Bug could be included in them, and we wrapped up Silver on the Tree today. I have to say, the last chapter is hard for me to swallow, as it contains something of a bitter pill for several of the characters. (I'm trying not to spoil the ending here, since if I'd gone this long without reading them, someone else may have, too.) Mind you, it's not the same kind of trouble I had with Philip Pullman's very well-written but ultimately not-my-thing The Golden Compass and sequels, where I realized two-thirds of the way through the last book that he was telling an entirely different story than I'd thought he was, which ruined the books for me. Cooper's story is fantastic, and the ending has some qualities reminiscent of both Tolkien and Lewis. But one of the final consequences is not sitting well with me (much like Susan's fate in the Narnia books made me angry as a child), and I wonder how I would have reacted to the ending had I read them when I was the same age as the characters. I suspect that, like Narnia, I would have rewritten the fate I didn't like in my head, and believed the story ended a different way, at least, in my telling of it. Now I'm too caught up in the authorial decision -- why was a certain fate chosen for the characters? what does that imply about the rest of the story? -- and can't just imagine my own way out of it because I'm stuck in the analysis.

Which is to say, I highly recommend the series. I hope Bug loves them when she's growing up. But I'd love to hear (in a spoiler-filled way) from others who have read the books about the consequence I'm discussing, and their interpretations. So, gang, comments to this post are not spoiler free. Please, please, have at, and I'll respond.

But on to the contest. Tell me about a children's book that you either a) read as an adult and thought you'd have experienced it differently as a child, or b) rewrote the ending in your head. This week's prize is a double whammy: two "Death Gate" novels by Margaret Weis and Tracy Hickman, Fire Sea and Into the Labyrinth. Good luck!

Date: 2010-10-04 12:03 pm (UTC)
From: [identity profile] orryn-emrys.livejournal.com
You know, I read these books when I was young and I remember really loving them, but I couldn't have told you how they ended... and now I remember why. For some reason, nothing disturbs me more in the culmination of a story than the idea that the experiences the characters went through are slipping away from them. For good or ill, the adventure we shared together had some profound quality that sucked me into the story... but memories are the immortality that gives a story meaning. And for characters that don't remember, it might never have happened.

I have always had this issue. Even in a novel like Stephen King's IT, the idea that the characters were losing their memories of the events that brought them together and forged them into the people they were was profoundly unsatisfying, despite the psychological horrors that likely would have plagued them throughout their lives.

And yes, Susan's fate really did bother me...

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Alana Joli Abbott

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