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Seems to me that there was a time, not so long ago, that I used to keep up with dozens of bloggers, who I liked and felt a kinship with. That also used to be the time when I updated my own blog with some regularity. Clearly, that time has passed.

It was a very busy, and fantastic, summer here in Connecticut (and surroundings -- this summer marked my first ever trip to the Bronx Zoo!).

Tiger, Tiger

There has not been a whole lot to report writing-wise. I am currently at work on a project for Choice of Games, featuring a kung fu theme. Considering I am also preparing for my black belt test in kempo (to take place in November), I have a lot of martial arts on the brain. I've been meaning to write about the process of creating a text-based interactive novel game, but I have been spending more time writing than writing-about-writing. (And also learning how to balance my work-from-home time as Bug is deciding that naps are no longer a guaranteed part of the day.)

Here is the news in a nutshell:
Writing
My newest article for Dragon magazine, "Songs of Sorcery," is out in the current issue. As usual, it's myth based, but it's also got a lot of silly lyrics that I wrote to common tunes. Quite a lot of it ended up being cut from my original draft, and some additional fun lyrics got added by the designers (I suspect developer Tanis O'Connor should be credited with some of the new work!), which makes it feel (to me) like a fun collaborative effort. I'm quite pleased with the final result (though I am a little sad that the hero theme song to the tune of "Funiculì, Funiculà" didn't make the cut).

Reading
This summer has included several book birthdays of those blogging writers I used to keep up with. I'm pleased to be entirely caught up on three current urban-fantasy series (instead of the most recent installments sitting on my TBR pile): Ilona Andrews's Kate Daniels series, which had Gunmetal Magic come out in July; Devon Monk's "Age of Steam" series (July's release was second installment Tin Swift; and Kalayna Price's Alex Craft series, which also had a July release (Grave Memory).

I'm also really excited about the launch of three new series:


Since I am at the moment one step ahead of my paid-review pile (I do have several books for unpaid lounging around the office), I'm trying to catch up on both review books and books I just really want to read. I'm currently at 116 books read in 2012 -- three short of last year's total -- but in order to make my specific reading goals I posted on January 1, I've got sixteen non-review titles to choose and read before the end of the year. Four moths to do it in? No problem.

If anyone has a recommendation for a non-SFFH, non-romance, adult fiction book they read this year and would endorse without hesitation, I'm all ears. I made it a goal to read two books outside my genres this year, and while I've picked one, I'm still undecided about the other.
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For those of you at GenCon right now (who still have time to read blogs while you're in Indy), I'd like to recommend that you pop by the Ookoodook booth (#1649) and take a look at Rich Burlew's new Order of the Stick compilation, Snips, Snails, and Dragon Tales. I preordered it back when it was initially announced, and due to printer delays, I just received my copy last week. I think this is the most fun collection that Rich has put out -- and it was all content that was new to me, which is a plus in my book. It includes the full OotS run from Dragon magazine (and though I love the new Dragon online, I think the sadness about the print version's demise is handled with the love it deserves in the final Dragon strips). There's also a whole 3.5e vs. 4e section that made me giggle; mocking the rules was one of the things that hooked me on OotS in the first place, so I'm glad to get some new jokes about the edition I'm currently playing. A final section, presumably meant to occur after the current web arc, give us fairy tales as told by Elan and Haley, a James Bond parody by Belkar, and Hamlet as told by Roy. (The last is clearly my favorite, if only because Hamlet is required reading for every student at Simon's Rock, and thus, seeing it get the gamer treatment was awesome.)

Several of my gamer buddies have taken a break from reading OotS as it posts, due to the delays in posting in recent months (years?) and because it's become very plot-centric as opposed to joke-centric. Snips, Snails, and Dragon Tales brings back the funny that made me love OotS in the first place without sacrificing any of the character interactions that I've stayed on for. So, if you're at GenCon and have a chance to get by the booth to check it out -- or if you're wavering on buying the new book from the site -- you should. It gets my thumbs up.
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Monica Valentinelli, a fellow contributor to Flames Rising, posted a contest on her blog asking people to post about their passions, and I immediately thought of the first time I'd really tried to pin mine down. When I attended the Denver Publishing Institute back in 2000, [livejournal.com profile] jeff_duntemann was one of our guest faculty members. He talked about a number of issues in publishing (things he's still discussing over at ContraPositive), but the thing I remember the most wasn't really about publishing at all. Jeff talked to us about finding your passion and living it. As a young college grad, I remember writing to him afterwards about not being able to narrow down my passion any further than stories -- I wasn't completely enamored of any one type of publishing, necessarily, and not being passionate about a very narrow field made me nervous. But the idea of being passionate about stories made sense, and it's something that remains true for me.

Fast forward eleven years later and the same thing is, roughly, true. I have my fingers dipped in various types of publishing -- and while they're not all story related, most of them are. Writing obituaries ends up being about telling the story of someone's life, capturing all the bits that will be important to readers. Writing about history for "The Town with Five Main Streets" has a whole range of types of stories -- all of them that somehow impact the current landscape of the town where I live. Writing for Dragon ties in with helping other people tell stories. Heck, even teaching Mom-Baby Fitness has an element of sharing stories and experiences with other moms.

Monica's contest runs through midnight tonight, so write about your own passions and go over to her blog and leave a comment!
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How did it get to be Saturday again already?

First, some quick celebratory news: My very first Dragon magazine contribution is in the current issue! "Surely You Joust!" is available to D&D Insider subscribers, and it gets into how to customize a 4e character for jousting and, for DMs, how to integrate jousting into your game. (Lest the illustrious Shawn Merwin put me in the penalty box for punning again, the title was actually assigned that way. Not that I wouldn't have come around to the same pun on my own, of course!)

My very first solo-project as a game writer was Gallia, for DogSoul, back in the 3rd edition Open Game License days, so I drew on some of the same real-history research I'd done for that project about chivalric competitions. I also used jousting in a module I wrote for former LFR Regional director Andrew Schneider (who has an adventure up in this month's Dungeon), so it was great fun to be able to put all of that together in a new format.

It's also super exciting to be published in Dragon!

--

But on to the thought that spurred me on to blogging: namely, Maryah Morvena. If you've not read her fairy tale (she's here as Maria, and she's in Andrew Lang's Red Fairy Book in "The Death of Koschei the Deathless"). Max Gladstone mentioned this story to me awhile ago, but I hadn't gotten around to reading it until today. It's a very odd tale for a number of reasons:

1) Maryah is not at all a damsel in distress. When Prince Ivan, the hero, comes upon her, it's because she's just slaughtered a whole army. Possibly by herself.

2) The tale reads like you've come in at the middle. Prince Ivan, despite being a hero (and a weepy one at that), is the least powerful, and possibly the least important person in the tale. Before he enters in, Maryah has already captured Koschei the Deathless and held him captive. Koschei has already stolen a horse from Baba Yaga. All sorts of things that we never get the full story of have transpired before we step in -- which makes me think that Maryah is probably in a host of other tales that are less well known than this one, just like Koschei and Baba Yaga are.

3) This one is the most striking to me: there's this great synergy between Maryah and Baba Yaga herself in one important detail. They both ask Ivan if he's come of his own free will, or because someone else has compelled him to be there. This doesn't sound like your usual "are you friend or foe?" greeting -- no, something else very cool is going on here. It makes me think that Maryah has a relation to Baba Yaga that doesn't get mentioned in the story, either because they are both women of Power in some fashion, or in a more archetypal connection.

I don't have any thoughts beyond these musings at the moment, but I really wanted to point this story out. It's a great, weird little tale, and it's obvious why folks like Catherynne Valente have grabbed onto it for retelling. There's a lot of meat here, and I'd chew on it for a novel or two.

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Alana Joli Abbott

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