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Did you all like my disappearing act? Next, I'll saw my assistant in half! But really, what have I been up to in the past month?


  • Copyediting. A lot.

  • Watching Leverage. (Thanks to [livejournal.com profile] lyster and [livejournal.com profile] publius513 for the recommendation!)

  • Watching Eureka, on which my friend Margaret Dunlap is a writing assistant.

  • Realizing that catching up on back episodes of cool TV shows takes a bite out of my reading time.

  • Spending time with Bug, who is awesome and amazing to watch as she learns all about the world.

  • Going to kempo with Twostripe.

  • Reading books to review. I'm all caught up on my PW reading, but I have a review to write, and a pile of SLJ books, and some Flames Rising books and comics still piled up.

  • Writing fake romance novel back cover blurbs as a game for a friend. I may post some here at some point, with the names changed to protect the innocent (or not so innocent, as the case may be).

  • Reading books for fun. I just finished Ally Carter's Only the Good Spy Young and am reading Breaking Waves on my nook. (Breaking Waves is an anthology edited by [livejournal.com profile] tltrent to raise funds for the Gulf Coast Oil Spill Fund. Great writing and a worthy cause? It's totally worth checking out.)

  • Keeping up on industry news. The NYTimes published an article about color e-ink displays. Remember how I was asking about this earlier this year? Yay news!

  • Sending the Viking Saga team through Europe. This weekend: Italy! Next weekend: Crossover game with the Mythic Greece group! I can hardly wait.

  • Finishing up at the library. I've decided I can spend my time more the way I'd like to spend my time -- on both writing/editing and on being a mom -- without those library hours. As much as I love my coworkers and my library, it's a good move. And we'll still be storytime regulars.

  • Traveling for cool events. Last night I went to see Abundance with [livejournal.com profile] niliphim. Friends of the blog Mark Vecchio and Richard Vaden are involved in the production (Mark is the director; Rich is performing). If you're in Pioneer Valley over the next two days, go see it! And check out this article about the production, and a sense of the mythic in the Old West.


And finally, I've been writing. Not as much as I'd like, but I am doing it. I'm back to owing [livejournal.com profile] lyster a chapter of Blood and Tumult, but I'm also working on the sooper sekrit project -- which I can now say is a comic, and as soon as I tell my editor I'm going to start talking about it, I'll start writing about it here! The portion I'm working on is actually due sooner rather than later, so if I want to talk about the process, it'll have to be coming up soon!

In honor of my return, and to help with my going-digital initiative, I'm giving away my mass market copy of Happy Hour of the Damned by Mark Henry. Answer the following question by Friday the 24th, and I'll pick a random winner!

If you were stranded on a deserted island (with comfortable amenities and the knowledge that you'd be rescued within a week), what five books would you want to have in your luggage?
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Rich was kind enough to send a second dispatch from the trip, this time from Skellig Michael. I'll post without further ado, though I may decide to write some of my own memories about that site. It's a wonderfully liminal space, and I think Rich has captured some of that here.

--

Skellig Michael; a prime place for puffins, monks, and meditation

First, a little history and some factoids: Skellig Michael is about a 45 minute boat ride through ROUGH seas from the Southwest of Ireland. It looks like the tip of a steep and jagged mountain rising out of the sea. The Great Skellig and the nearby "Gannet Island," provide sanctuary and prime breeding grounds for thousands of seabirds including Murres, Gannets, and my favorite, Atlantic Puffins. It was over a thousand years ago that monks decided that this perilously rugged, utterly isolated, insanely steep rock rising from the mist of the sea would be the ideal place for a monastery.

What they created is awesome, as in awe inspiring, not as in "dude, thats awesome," though both are certainly true. Not only did they create three separate paths of stairs leading up the Skellig, but also a compound of beehive-shaped huts, a few chapels, a hermitage (which is inaccessible, yet still in existence today), a graveyard, and a garden that could sustain vegetables and even a few sheep. Even by modern standards, this is quite an achievement. Around about 900 AD, the cult of the Archangel/Saint Michael (the angel I hold closest to my heart by family tradition) spread to the Skellig, which, until that time had simply been known as "The Skellig" or "The Great Skellig." Then, they built a chapel and dedicated it, along with the Skellig, to Michael, who is the patron Saint of many things, including high and/or isolated places. Today, all of these things still exist--the steps, the garden, the chapel, etc.--even after Viking invasion (one of which cost the Skellig an abbot, who was carried away as a sort of human souvenir), and, perhaps more frightening, continuous invasion of modern people.

Skellig Michael is still perilous; just last year, two American (of course) tourists fell to their deaths while climbing the steps to the monastery. But it's not just perilous for humans! Did you know that seagulls eat puffins and bunnies? I didn't until I heard the most heart-wrenching squeaks coming from above me when I realized a seagull was carrying a small bunny in its beak. I was told this is very common. Who knew seagulls were so vicious?

Climbing from the "harbor" of the Skellig to the monastic settlement is a sobering experience. All the way up, the wind is blowing, the rocks are threatening, and the Puffins are cute. Just when you think you can't climb one more ancient step, you enter the monastery and the air is still (but for the loud and pointless chattering of some intolerable German and, you guessed it, American tourists. I realize I was also an American tourist, but at least I showed some decorum and quiet respect for the atmosphere). The monks were ingenious in how they carved out their settlement; by building walls around the outer perimeter, the wild air is channeled up and over so as to create a pocket of stillness and a sense of security.

This atmosphere was ideal for meditation. I sat on the altar of the chapel of St. Michael, tuned into the natural sounds around me, and tuned out the other people. This was remarkably easy to do in comparison to other sites I had visited and in which I had meditated. It may have been the endorphins of the climb, the adrenaline of the scary steps, or even the blessing of the Archangel, but everything melted away. Deep seeded worldly concerns (even ones I haven't thought of for a while) began to surface. With a very deep breath, and a long exhale, they seemed to evaporate. If you know anything about meditation, you know this usually takes more than a single breath, indeed a full meditation, to achieve. In place of these evaporating concerns, there seemed to be a light and a lightness that was not there before. I felt safe, secure, blessed, and not at all annoyed or even aware of distractions. I was able to sit in this state for quite a while until something within me seemed to click, like a gas pump when the tank is full (a vulgar image for such a divine experience, but that's what comes to mind as I sit near a busy street in central London). I felt as though my soul was full of light.

On the way down from the monastery (which is actually more terrifying than the way up), I didn't feel scared at all by the few hundred or so meters that separated me from a jagged rocky death. I felt like I wanted to stay and sleep in one of those huts with only a candle and a blanket to meditate for hours on end, just so I could keep replenishing that light that seemed to be fading with every downward step. Suddenly, it made sense why this place was, and still is, sacred. A great rugged rock, jutting out of the sea, far from anything that supposedly matters, somewhere between earth and heaven exists, by nature of its being, as a refuge for the soul. Even the mere experience of visiting Skellig Michael for a few hours is enough to make you immediately aware of your mortality just by climbing to the top. You sweat, you pant, you fear, you desire, you anticipate. When you reach the monastery, you have two choices (as I see it): you can stay on the mortal path, that which is characterized by climbing: you talk incessantly, you complain, you worry, you disrupt, you even use your mobile to transmit a part yourself away from the sacred place you are in. OR you can allow the site to do what IT was meant to do; to help you transcend toward the divine: you take in the atmosphere that has been provided by the ancients, you reflect, you allow yourself to be humbled, you truly live in the moment, you let go, and let the power of the site seep into your being. The path you choose is yours, but from my experience, transcendence was better than blind mortality.
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Back in 2006 when I made my first voyage to Ireland with Mark Vecchio and students, I had the privilege of getting to know then theater student, Rich Vaden. Since then, I've traveled with Rich to Turkey and Greece on another one of the myth tours (where he performed a Homeric Hymn for our group in the theater at Delphi), have seen him perform in college productions, and have had the opportunity to see the play that he wrote and performed in, Hide and Seek, in two different incarnations: one at the Berkshire Fringe Festival, and one produced by Scheherazade Theatre in Pioneer Valley and performed at the Manhattan Repertory Theatre in Times Square. He's remarkably talented, and a good friend. Right now, he's off in Ireland, chaperoning the same trip where we met, so I asked if he'd be willing to write a guest blog about his trip. He sent me this piece earlier in the week, and I hope you all enjoy it as much as I did.

--

May 22, 2010 Strandhill, Ireland, Co. Sligo:

"Mythical Meditation"

Since I've arrived in Ireland, its been a developing process of trying to strip away the blocks my own modern mind has placed on the process of delving deeply into the myths and the mythic imagination that Ireland (its culture, landscape and legends) inspire. One of the tools I have been using is meditation. At each sacred location we visit (thus far: Tara, Newgrange, The Lake Isle of Inishfree, Maeve's Cairn/Knocknarea, & Knocknarea Glen) I take, at the very least, ten minutes to meditate using a mixture of Buddhist and Hindu techniques, with my own personal "stank." This is the way that I find most helpful in tuning into the mythic aura/tone/atmosphere/energy of the locations.

When I achieve a meditative state, I listen to the nature around me (the birds, the wind, the sheep, the earth) and try to allow it to inhabit the fiber of my being. I let it guide my consciousness and, hopefully, my subconscious. I try to feel the nature of the mana of the place, its quality and strength, as well as my own response to it (can I focus? can I feel it? can I attune myself to it?) This is all done while simultaneously trying NOT to try to do anything. Sometimes I am successful, sometimes I am not.

Today, in the Glen of Knocknarea, close to Maeve's Cairn, I was able to attune myself to the nature literally surrounding me. I began to feel a pulse, a rhythm, almost a language that was formed between my mind/soul/body and Mother Nature. I believe this was possible because A) I have been practicing this meditation daily (sometimes twice or three times daily) since I arrived, and it takes that many times for me to achieve a meditative state in an environment of "meditation on the go;" and, B) The myth of Meave is one that is filled with elements that are particularly powerful to me: the Moon, the Goddess/Queen, the Power and Divinity of the Feminine, the Bull, and the mixture of earth and water, and thus, fertility. These elements are post powerful to me astrologically (if you know astrology, I am a Pisces, with Cancer Rising, and Taurus Moon, thus the aforementioned elements in combination are particularly regenerative to me).

During my meditation, I focused on what was around me, the confluence of these elements, the elements themselves, and the myth of Meave. As I ended my meditation, raising the Kundalini through my chakras, I could almost feel the power of Meave flow through me, from my first, all the way to my seventh chakra, and the cares of the modern world melted away. Afterwards, I felt a bit of the Goddess in me, or at least flowing through me ever so slightly. It felt like pure power mixed with compassion, sensitivity, and abstract wisdom (that is, the feeling of having passively learned/absorbed something profound, without knowing what it is). It was an experience for which I am eternally grateful and I look forward to my further exploration of Mythical Meditation.

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Alana Joli Abbott

November 2023

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